![]() ![]() ![]() The versions are very different, and in this way they illuminate the alternating attitudes of those who find themselves in a universal waiting game. Track 14 is the second version, entitled “Wait for Love (You Know You Will).” Track 8 is the first version of “Wait for Love” on the album The Historical Conquests of Josh Ritter. well, pretty great.ĭespite his vulnerability, he claims strength and tries to turn the tables on the very thing he wants most. He tells Love another is vying for his attention, and she’s great. He takes what he has in sweet, devoted abundance-Time-and he bluffs a little. to give Love a prod, to see whether she has a jealous side. Perhaps he aims to bait Love, to goad her, to see if he can intervene and speed things up. So, he uses the refrains to take matters into his own hands. Love is Miss Right, and “Can I get an ETA?” the speaker wonders. Love is the you he’s waiting on in both versus. Love is what and who our Speaker wants-she holds him the best-but Love is maddeningly absent. Time is Miss Right Now, though perhaps he wishes she weren’t. Time holds him all the time and is the someone on mind. Time, as we know, waits for no man (or woman): Time is constant, loyal, and steady. The speaker is waiting for and deeply desires Love, but what he’s got is Time. ![]() We can clearly identify three characters: There is Love, there is Time, and there is the Speaker. This is intended, I suspect, for the song is a meditation on some intertwined Big Ideas, under which the sands have shifted for centuries, and whose identities have fired the imaginations of many. There is liberal-one might even say grammatically irresponsible-use of she and someone and babe and you, and it’s unclear who is who. ![]() There are lots of mysterious pronouns in this song. Sometimes babe we all have to wait for loveĪnd she holds me pretty much the way you do Click below to listen.Īnd she don’t make me wait the way you do all the repetition makes one thing crystal clear. When both the track and the selfsame nineteen phrases roll around again to conclude the Historical Conquests album. Sometimes-perhaps always-a mantra to focus and soothe the speaker himself. Sometimes it’s a declaration, sometimes a wistful reminder for the listener. The lyrics rely very heavily on repetition-one single phrase is sung nineteen times. Well, almost the same song: One has a parenthetical in the title the other does not. Only once has Josh Ritter put two versions of the same song on one album. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |